In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.
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Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
Lead postal detective Oliver (Eric Mabius) and his associate Shane (Kristin Booth) have been doing a figurative dance with each other, swaying back and forth with the possibility of a relationship. Finally, on their first date at a romantic supper club, Shane begins wondering if it’s a date or not, as she sees the contrast of their relationship next to the extraordinary dance performances of a couple who express the longing of her heart. As Norman (Geoff Gustafson) and Rita (Crystal Lowe) work alongside each other, their personal relationship hits a bump in the road.