Dr. Morten Holst is a psychiatrist who struggles with as many problems, if not more, as his wide range of unique patients. A detective finds himself in a threatening situation when he gets caught in the doctor’s game while unraveling a mysterious case.
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A group of renegade marine commandos seizes a stockpile of chemical weapons and takes over Alcatraz, with 81 tourists as hostages. Their leader demands $100 million to be paid, as restitution to families of Marines who died in covert ops – or he will launch 15 rockets carrying deadly VX gas into the San Francisco Bay area.
A crazed scientist experimenting with a rage virus on innocent victims in a laboratory in the woods. When his monstrous subjects escape and vultures devour their remains, they became mutations seeking to feed on humans.
A low-budget American indie with only a handful of characters seems an unlikely vehicle with which to express the complex issue of modern warfare, but Rick Rosenthal’s modest, ambitious Drones does just that. It begins in the Nevada desert, where new girl Sue Lawson (Eloise Mumford) joins airman Jack (Matt O’Leary) in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sue’s privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack. As tensions escalate, Rick Rosenthal’s gripping drama keeps us guessing as to who really has the upper hand, following the chilling concept of bloodless, remote-control conflict to a nail-biting conclusion.
A young American girl has a chance of a lifetime to visit her ancestors castle in the south of France, only to find that her family is hiding deep, dark secrets about their nefarious past, far away from prying eyes.