A psychological thriller about a young married couple who buys a beautiful Napa Valley house on several acres of land only to find that the man they bought it from refuses to let go of the property.
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North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.
Creatures, bound by the blood of the wolf, that can kill with curses and move at lightening speed, watching the night sky for the rise of the blood-red crescent moon. They are SKINWALKERS. They feed on our flesh and thirst for the taste of human blood. The red moon signals each pack, divided by principles, hell bent to survive an ancient prophecy.
The evil Dr. Kochin uses the dragon balls to resurrect his mentor, Dr. Wheelo, in an effort to take over the world. Dr. Wheelo, his body having been destroyed by the avalanche that killed him fifty years before, desires the body of the strongest fighter in the world as his new vessel. Believing Roshi to be the world’s strongest warrior, Dr. Kochin abducts Bulma and forces Roshi to surrender himself to save her. When Goku hears of their abduction, he goes to their rescue.
FBI trainee, Clarice Starling ventures into a maximum-security asylum to pick the diseased brain of Hannibal Lecter, a psychiatrist turned homicidal cannibal. Starling needs clues to help her capture a serial killer. but her Faustian relationship with Lecter soon leads to his escape, and now two deranged killers are on the loose.
Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.